3228 31st Ave Vernon, BC

V1T 2H3    

 

250.545.3173

info@vernonpublicartgallery.com

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Wanda Lock

The Year We Disappeared

January 9 – March 4

Wanda Lock, confidently transitions between painting and drawing, often combining the two mediums. her works are inspired by everyday objects, typically things found 'around the house'. Interiors, small animals and insects are familiar subjects in her pieces. Although she focuses on simple and mundane objects, her paintings and drawings appear far from lifelike; more symbolic renderings, than realistic. her exhibition, The Year We Disappeared, continues her focus on small, everyday occurrences and 'things', through works varying in size and method. This exhibition looks into Wanda's own experiences. Its "about books read, movies seen and stories told. it's about conversations had over morning coffee, late-night studio visits, and brief encounters with those who slip in and out of our lives. The Year We Disappeared is about the summer I turned 50."

Wanda Lock, Nobody Waved Goodbye, mixed media on paper 50x38, 2019.

Heather Passmore

Roman Charity

January 9 - March 4​

Heather Passmore, often chooses discarded and historically valued materials for her artwork. From outdated milk, to a used mattress, to hand written sheet music, her unconventional materials bring another dimension to her pieces. She continues this technique in her exhibition Roman Charity, that explores the societal discomfort surrounding breastfeeding. For the pieces in this collection, she uses her own paint which she makes from cow’s milk and expired breast milk, The series includes three large self (effaced) portraits on fabric depicting the last time Passmore nursed her daughter, and images of mothers covering their faces instead of their breasts while breastfeeding. The images are based on photographs that circulated on social media in protest to admonishment that mothers should cover up while nursing in public. 

Heather Passmore, Milk Portraits #3, silkscreen and casein on panel, 14x21, 2017.

Mat Glenn

Fear Frequency

January 9 - March 4

Mat Glenn is a recent graduate from the University of British Columbia Okanagan’s fine arts program and specializes in sculpture, installation, printmaking and digital media. In his current exhibition, Fear Frequency he uses the technique of sculpture with a digital media component to explore the idea of human and non-human “hybridity”. He shows that the human body not only coexists with the world and synthetic materials, but the two are connected. He removes the boundary between human and non-human with his sculptures of disfigured bodies with non-human like qualities; “These bodies illustrate unstable but inherent hybridity of human experience.” 

Mat Glenn, my Horse Was Hit by Lightning, Installation Photograph, 2019.

Kama? Creative Aboriginal Arts Collective

MMIW

January 9 - March 4

Kama? Creative Aboriginal Arts Collective is a diverse group of First Nations artists working in a variety of media ranging from traditional to contemporary. The group addresses various issues concerning cultural, political, and historic topics including the contemporary subject of cultural identity. The 2020 exhibition titled MMIW addresses the important themes surrounding the poignant circumstances in cases of murdered and missing indigenous women.

Wyatt Collins, No More Stolen Sisters, acrylic and pen on 24x18, 2019